Fan Zeng (1938.7.5 -), with ten wings, was born in Nantong, Jiangsu Province. He is a great scholar, thinker, sinologist, calligrapher, painter, litterateur and poet. At present, he is the president and Chair Professor of the Chinese Academy of painting, Peking University, lifelong researcher of the Chinese Academy of art, the only lifelong professor of Nankai University and Nantong University, the "special adviser for multiculturalism" of UNESCO, the honorary doctor of literature of the University of Glasgow and the honorary doctor of literature of the University of Alberta. He is a cultural master of poetry, calligraphy, painting, literature, history, philosophy, Confucianism, Buddhism and Taoism in contemporary China. He has published more than 160 kinds of poetry, calligraphy, painting and philosophy works, of which 119 are collected by the National Library. Fan Zeng advocated "returning to classicality and nature" and practiced the aesthetic principle of "taking poetry as the soul and book as the bone". He made great contribution to the development of Chinese painting and created the forerunner of "neoclassicism" art.
"Poetry as the soul, book as the bone" is the remarkable feature of fan Zeng's painting, the taste and summary of his decades of creation, and the motto he put forward for Chinese painting. Fan Zeng believed that all the Chinese sages, historians, and poets were the source of Chinese painting. In addition, the painter's view of the universe and life comes from the outside. He views things with the poet's eyes and talks about things with the poet's tongue. His mind is broad and fresh, and his creation is extraordinary. Fan Zeng grew up in a family of poets, nurtured by the poetic environment, and nourished by Chinese traditional culture such as Confucianism, Buddhism and Taoism. Therefore, his heart contains a deep and self-contained poetic soul, which is dense in his pen and ink. Fan Zeng pointed out that the expression of love in Chinese painting must rely on the brush and ink. The quality of ink depends on the depth of the painter's calligraphy skill. From ancient times to the present, although the pen is strong, it has not become a great sight, so is the one who has lost his soul; if the pen is weak and has become a great sight, then it has not been seen, so is the soul. Chinese ink is the most formal characteristic and the most independent aesthetic value of the art language. In the Chinese painting world, everyone is known as a hand, and all of them shine in the world. The soul is attached to the bone, and the bone is based on the soul. The profound influence of poetry and calligraphy on Chinese painting can be seen here.
Qianzhentang Auction Co., Ltd.
In order to support the Chinese art market, protect and excavate artistic and cultural relics in different periods of China, combine art with economy, excavate the value behind the art of cultural relics, let more people understand the cultural relics, and promote the art with Chinese characteristics to a broader stage.
AAfter many investigations, Chengdu, the administrative, cultural and economic center of Southwest China, which has a large number of folk collections and a good preservation of ancient Chinese culture, was selected as the art collection center. Therefore, after preparation, Sichuan Qianzhentang Auction Co., Ltd. was established.
Sichuan Qianzhentang is mainly engaged in collecting, auctioning, exhibiting and exchanging cultural relics and works of art, aiming at promoting the Chinese nation's culture through various cultural exchange activities, improving the status and influence of Chinese art in the world, and providing a high-level and high-quality collector and institution at home and abroad with a smooth flow of things and their best use. Space for cultural exchange. Sichuan Qianzhentang adhering to the principle of "operating according to law and putting credit first", combines art with economy perfectly with abundant talent advantages, rigorous attitude of audit, exquisite quality of collection and unblocked customer network.
Sichuan Qianzhentang's business scope includes holding large and medium-sized art exchange, exhibition, appraisal, restoration, art information, auction and so on; its art collection category covers Chinese calligraphy and painting, porcelain of various periods, ancient jade, contemporary jade, diamond private customization, jewelry private customization, ancient books stele, oil painting carving. Sculpture, ceramic jade carving, bamboo and wood tooth horns, golden and bronze Buddha statues, wooden furniture, contemporary crafts, etc.
With the vigorous development of the domestic art market and diversified demand, Sichuan Qianzhentang will open up a special field of category with sustained innovation. It intends to carry out professional special projects such as calligraphy, study, jade, snuff bottle, golden and bronze Buddha statues and contemporary arts and crafts, so as to make positive contributions to refine the aesthetic horizon and guide the special collection.
Sichuan Qianzhentang will also cooperate with large overseas auction companies responsible for sales to expand the collection channels to the world, and build an international art trading platform with high reputation to facilitate the high volume of overseas cultural relics return. Up to now, Sichuan Qianzhentang Auction Co., Ltd. has successfully held many kinds of overseas collectors'special auction, covering Britain, France, Australia, Canada, Italy, Dubai, the United States and other places.
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